{"product_id":"art-history-after-modernism-paperback","title":"Art History After Modernism - Paperback","description":"\u003cp\u003eby \u003cb\u003eHans Belting\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003ci\u003e\"Art history after modernism\" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, \u003ci\u003eThe End of the History of Art?\u003c\/i\u003e. \"Known for his striking and original theories about the nature of art,\" according to the \u003ci\u003eEconomist\u003c\/i\u003e, Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues-the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum-and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. \u003cp\u003e\u003c\/p\u003e With \u003ci\u003eArt History after Modernism\u003c\/i\u003e, Belting retains his place as one of the most original thinkers working in the visual arts today.\u003cbr\u003e\u003ch3\u003eFront Jacket\u003c\/h3\u003e\u003cp\u003e\u003ci\u003eArt history after modernism does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eSo begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, \u003ci\u003eThe End of the History of Art?\u003c\/i\u003e. Known for his striking and original theories about the nature of art, according to the \u003ci\u003eEconomist\u003c\/i\u003e, Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues--the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum--and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. \u003cp\u003e\u003c\/p\u003eWith \u003ci\u003eArt History after Modernism\u003c\/i\u003e, Belting retains his place as one of the most original thinkers working in the visual arts today.\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e\u003ci\u003e\"Art history after modernism\" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eSo begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, \u003ci\u003eThe End of the History of Art?\u003c\/i\u003e. \"Known for his striking and original theories about the nature of art,\" according to the \u003ci\u003eEconomist\u003c\/i\u003e, Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues--the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum--and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. \u003cp\u003e\u003c\/p\u003eWith \u003ci\u003eArt History after Modernism\u003c\/i\u003e, Belting retains his place as one of the most original thinkers working in the visual arts today.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eHans Belting\u003c\/b\u003e is the Mary Jane Crowe Professor of Art History at Northwestern University. He is the author of a number of books, including \u003ci\u003eThe End of the History of Art?\u003c\/i\u003e, \u003ci\u003e Likeness and Presence: A History of the Image before the Era of Art\u003c\/i\u003e, and \u003ci\u003eThe Invisible Masterpiece\u003c\/i\u003e, all published by the University of Chicago Press.\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 226\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.67 x 8.99 x 6.04 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e August 01, 2003\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":47454524113074,"sku":"9780226041858","price":56.43,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/3891\/1666\/files\/225d5a604f54c3c9491a609c518d6b4e.webp?v=1778853397","url":"https:\/\/box.dadyminds.org\/products\/art-history-after-modernism-paperback","provider":"DADYMINDS BOX","version":"1.0","type":"link"}