{"product_id":"star-trek-and-american-television-paperback","title":"Star Trek and American Television - Paperback","description":"\u003cp\u003eby \u003cb\u003eRoberta Pearson\u003c\/b\u003e (Author), \u003cb\u003eMáire Messenger Davies\u003c\/b\u003e (Author), \u003cb\u003ePatrick Stewart\u003c\/b\u003e (Foreword by)\u003c\/p\u003e\u003cp\u003eAt the heart of one of the most successful transmedia franchises of all time, \u003ci\u003eStar Trek\u003c\/i\u003e, lies an initially unsuccessful 1960s television production, \u003ci\u003eStar Trek: The Original Series\u003c\/i\u003e. In \u003ci\u003eStar Trek and American Television\u003c\/i\u003e, Pearson and Messenger Davies, take their cue from the words of the program's first captain, William Shatner, in an interview with the authors: \"It's a television show.\" In focusing on \u003ci\u003eStar Trek\u003c\/i\u003e as a television show, the authors argue that the program has to be seen in the context of the changing economic conditions of American television throughout the more than four decades of \u003ci\u003eStar Trek\u003c\/i\u003e's existence as a transmedia phenomenon that includes several films as well as the various television series. The book is organized into three sections, dealing with firstly, the context of production, the history and economics of \u003ci\u003eStar Trek\u003c\/i\u003e from the original series (1966-1969) to its final television incarnation in \u003ci\u003eEnterprise\u003c\/i\u003e (2002-2005). Secondly, it focuses on the interrelationships between different levels of production and production workers, drawing on uniquely original material, including interviews with star captains William Shatner and Sir Patrick Stewart, and with production workers ranging from set-builders to executive producers, to examine the tensions between commercial constraints and creative autonomy. These interviews were primarily carried out in Hollywood during the making of the film \u003ci\u003eNemesis\u003c\/i\u003e (2002) and the first series of \u003ci\u003eStar Trek: Enterprise\u003c\/i\u003e. Thirdly, the authors employ textual analysis to study the narrative \"storyworld\" of the \u003ci\u003eStar Trek\u003c\/i\u003e television corpus and also to discuss the concept and importance of character in television drama. The book is a deft historical and critical study that is bound to appeal to television and media studies scholars, students, and \u003ci\u003eStar Trek\u003c\/i\u003e fans the world over. With a foreword by Sir Patrick Stewart, Captain Jean-Luc Picard in \u003ci\u003eStar Trek: The Next Generation\u003c\/i\u003e.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eRoberta Pearson\u003c\/b\u003e is Professor of Film and Television Studies at the University of Nottingham and author of several books, including \u003ci\u003eA Critical Dictionary of Film and Television Theory\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e \u003cb\u003eMáire Messenger Davies\u003c\/b\u003e is Professor Emerita of Media Studies at Univeristy of Ulster and author of \u003ci\u003eChildren, Media, and Culture\u003c\/i\u003e.\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 256\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.7 x 8.9 x 5.9 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e April 25, 2014\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":47453429432498,"sku":"9780520276222","price":62.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/3891\/1666\/files\/9cc1ddb53757e70ca4315cd2f7c028bf.webp?v=1778830490","url":"https:\/\/box.dadyminds.org\/products\/star-trek-and-american-television-paperback","provider":"DADYMINDS BOX","version":"1.0","type":"link"}