{"product_id":"the-underwater-eye-how-the-movie-camera-opened-the-depths-and-unleashed-new-realms-of-fantasy-hardcover","title":"The Underwater Eye: How the Movie Camera Opened the Depths and Unleashed New Realms of Fantasy - Hardcover","description":"\u003cp\u003eby \u003cb\u003eMargaret Cohen\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eA rich history of underwater filmmaking and how it has profoundly influenced the aesthetics of movies and public perception of the oceans\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eIn \u003ci\u003eThe Underwater Eye\u003c\/i\u003e, Margaret Cohen tells the fascinating story of how the development of modern diving equipment and movie camera technology has allowed documentary and narrative filmmakers to take human vision into the depths, creating new imagery of the seas and the underwater realm, and expanding the scope of popular imagination. Innovating on the most challenging film set on earth, filmmakers have tapped the emotional power of the underwater environment to forge new visions of horror, tragedy, adventure, beauty, and surrealism, entertaining the public and shaping its perception of ocean reality. \u003cp\u003e\u003c\/p\u003eExamining works by filmmakers ranging from J. E. Williamson, inventor of the first undersea film technology in 1914, to Wes Anderson, who filmed the underwater scenes of his 2004 \u003ci\u003eThe Life Aquatic with Steve Zissou \u003c\/i\u003eentirely in a pool, \u003ci\u003eThe Underwater Eye\u003c\/i\u003e traces how the radically alien qualities of underwater optics have shaped liquid fantasies for more than a century. Richly illustrated, the book explores documentaries by Jacques Cousteau, Louis Malle, and Hans Hass, art films by Man Ray and Jean Vigo, and popular movies and television shows such as \u003ci\u003e20,000 Leagues Under the Sea\u003c\/i\u003e, \u003ci\u003eCreature from the Black Lagoon\u003c\/i\u003e, \u003ci\u003eSea Hunt\u003c\/i\u003e, the Bond films, \u003ci\u003eJaws\u003c\/i\u003e, \u003ci\u003eThe Abyss\u003c\/i\u003e, and \u003ci\u003eTitanic\u003c\/i\u003e. In exploring the cultural impact of underwater filmmaking, the book also asks compelling questions about the role film plays in engaging the public with the remote ocean, a frontline of climate change.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eMargaret Cohen\u003c\/b\u003e is the Andrew B. Hammond Professor of French Language, Literature, and Civilization at Stanford University, where she teaches in the Department of English. Her books include the award-winning \u003ci\u003eThe Novel and the Sea\u003c\/i\u003e and \u003ci\u003eThe Sentimental Education of the Novel\u003c\/i\u003e (both Princeton), as well as \u003ci\u003eProfane Illumination: Walter Benjamin and the Paris of Surrealist Revolution\u003c\/i\u003e. She is also the coeditor of \u003ci\u003eThe Aesthetics of the Undersea\u003c\/i\u003e and general editor of \u003ci\u003eA Cultural History of the Sea\u003c\/i\u003e. She lives in Stanford, California.\u003c\/p\u003e\u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 344\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1.3 x 9.2 x 6.3 IN\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e April 12, 2022\u003c\/div\u003e","brand":"Books by splitShops","offers":[{"title":"Default Title","offer_id":47479330439346,"sku":"9780691197975","price":73.8,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/3891\/1666\/files\/d5a63aee178d96f97d56101f088239b8.webp?v=1779236449","url":"https:\/\/box.dadyminds.org\/products\/the-underwater-eye-how-the-movie-camera-opened-the-depths-and-unleashed-new-realms-of-fantasy-hardcover","provider":"DADYMINDS BOX","version":"1.0","type":"link"}